Readers and reading groups are invited to discuss the topics below relating to some of the material presented in this issue. Send answers to firstname.lastname@example.org and you will be eligible for a complimentary copy of Volume Two of The Summerset Review. All questions must be answered and received by September 1, 2009.
Include your name, town, state, and country (if outside the USA) in your entry. The editors will decide the winner(s) and send out notification when the new issue is released. We plan to announce the names of those who are awarded free copies, so if you do not want your name to appear in the journal, please let us know. Postal and email addresses of all entrants will not be published, circulated, or archived.
1. There were a number of elements in the story, "The Singing Bone," that were fairly graphic. Why do you think these were necessary?
2. In the essay, "Speaking from the Throat," are the lines: "People need to know when something's not right. Now I've decided that if I have a problem, I will be the world's most high maintenance patient until it is fixed. I am done letting people tell me something is in my head when I know it's in my body." Can you identify with this perspective? Have you or a loved one had a similar experience?
3. "July Fourth" and "The Leonids," two poems by Barbara Daniels, both feature landscapes and light shows. What is the source of light in each poem and what does it illuminate?
4. In "Animal Rights," Sifa's attitude changes after meeting the girl in the next bed at the hospital. Why?
5. In "Cupco," we experience each of the four members of the family coming to the United States individually, some via arduous journey. What do you believe is in this family's future, based on how you've come know each of these characters?